It also makes the witch's reaction doubly cruel. Instead of deserting her stolen daughter because she feels betrayed, the witch sends a frightened girl with literally nowhere to turn out into the world to deal with an unexpected pregnancy and the death of her beloved. She doesn't even answer Rapunzel's question, apparently thinking that if Rapunzel doesn't know she's pregnant, the baby might just go away. She just dumps the girl in the desert and wreaks blinding vengeance on the prince. This is serious evil here, all the more so because it's so determinedly one-sided. It doesn't matter to the witch whether Rapunzel is safe or scared; all that matters is getting what she wants.
The scariest part? It could be worse.
For all the horror she goes through, at least Rapunzel fell in love and gave her consent. The pre-Disney Sleeping Beauty (who is fifteen, not sixteen), wakes up not when the prince kisses her, but when her newborn infant mistakes her finger for a nipple and sucks the splinter out. "Infant?" you say. "But she wasn't pregnant when she went to sleep..."
|Sleeping Beauty, Gustaf Tenggren|
Let's recap. Sleeping Beauty is a fifteen-year-old girl who, the last she knew, just learned about this nifty thing called spinning. When she next opens her eyes, it's a century later and she's the sex slave of a necrophiliac. It's not even a surprise to learn that the prince's mother is an ogress who wants to eat Sleeping Beauty and her kids; at least Mom's up front about her evil. This is one that I'm grateful to Disney for bowdlerizing. True Love's Kiss is a much nicer thing to grow up with than date rape.
|Janet and the Transformation, Dan Dutton|
But Janet's the exception. Pregnant heroines are rare as it is. For the most part, that pregnancy renders them instantly passive. There's a Cinderella variant where the two older sisters try to kill their youngest sister as she recovers from giving birth; it's extra easy because the poor girl can't physically fight back. Sometimes the heroine of "The Seven Swans" is pregnant at the climax, but her story is a strange combination of agency and passivity: if she defends herself, she dooms her brothers.
And there's a level of discomfort with acknowledging premarital sex in fairy tales. How old were you when you first heard Rapunzel? And how old were you when you heard the pregnancy variant? Those aren't the versions we tell to children. Fairy tales in their oldest form are meant to scare people into good behavior, in which context a disastrous premarital pregnancy makes perfect narrative sense. But nowadays they're supposed to be light and fluffy stories for kids, with some common sense nestled at the heart of the happily-ever-after. "Mother, why is my belly so large?" was practically a punch line for adult audiences who already knew the answer; if you tell a five-year-old that Rapunzel was pregnant, you're jump-starting "the talk." Even "Tam Lin" gets censored on occasion; the first time I read the story was in a folklore anthology that had Janet visiting Tam Lin to hang out and chat. I'm certainly not averse to fairy tales that prioritize the intellectual and personal bond, but Janet is far more powerful when she takes complete control of a potentially disastrous scenario like out-of-wedlock pregnancy.
|Disney Princesses as Mothers, sheerisan|